Even before Together, Relf tested the waters outside of the Yardbirds with a couple 1966 solo singles, three tracks from which are on All the Falling Angels. But as McCarty acknowledges, “Even Renaissance had problems. Just 33 at the time of his passing, Relf clearly had more music in him. Which was Renaissance.”. Three Together outtakes – two of which first emerged as bonus tracks on an expanded CD of Little Games  — are in a similar soothing vein, though the previously unavailable “Line of Least Resistance” is more straightforward and forceful guitar-based folk-rock, with McCarty on lead vocal. If you listen to Robert Plant for a few songs, you get fed up with it,” he laughs. “We did have other things, but I don’t know if [Keith] was that inspired to do it. And that is as far as my records can take me without buying certificates from the PRO - something I refuse to do except for my own family. I suppose it would have gone on the Together album if we’d have done it.”, Adds McCarty, “We found it a lot of fun to work in Together.

That was a shame.”. “But Keith was quite unusual. Lets' Rock and Roll! Help us build our profile of Keith Relf! If you are a fan of The Yardbirds, you might like to contact her by email: cathead9@texas.net; she would be glad to hear from you.
We were very pleased when Reign covered it. There was a classical as well as folk influence in this version of Renaissance, which played early progressive rock that was more experimental and less commercial than the entirely different lineup that found success in the mid-1970s. She is also believed to sing TV commercial jingles - probably in the USA. 6 in the USA. We were always aware of and sharing of the folk tradition, and had we been able to we would surely have included something of those influences in our stage presence, but the R&B ‘wave’ didn’t really allow for that. It was really heavy. The Kinks were replaced by the Voices of East Harlem, truly a bizarre bill. Since his death was not registered until the September quarter, it may be that he died in the USA - or his registration may have been delayed by the Inquest. They lived in Bayswater, then Sunburyon- Thames and they had two sons, Daniel (registered qtrSep1967 Richmond/THS) and Jason ( qtrJun1969 Richmond/THS). How bout the unacknowledged history of Ock Homos. William Keith Relf was born, probably in Richmond, Surrey on 22 March 1943, the eldest child and only son of William Arthur P Relf and his wife, Mary E Vickers. As its harsh collage of numerous distorted effects goes on for nine minutes, placing it at the end was a good idea, in case you’re not in the mood for extended atonality. to add information, pictures and relationships, join in discussions and get credit for your contributions. film, There was something really odd about it. If so, please drop me a line (email: BrianRelf@RelfSociety.org) or, better still, pass a short article on to our Editor so that we can all share it. Keith Relf Electric Funeral. All the members were vital to their brew of fiery blues-rock, improvisational rave-ups, experiments with electronics, and daring integration of Indian raga, socially conscious lyrics, and even Gregorian chants. When, more. When the Rolling Stones moved on to greater things, The Yardbirds took over from them as resident group at the Crawdaddy Club in Richmond and gradually built up audiences which exceeded those enjoyed previously by the Stones. From The Wolfpack - Volume 15 Edition 1 January 2006. Although the Yardbirds were most known for ferocious blues-rock and, later, some of the earliest psychedelia, Relf’s moodily intoned, melancholy folk leanings were a part of the group’s repertoire going back to the earliest track on All the Falling Angels. “He conveyed moodiness, mystery, and a fragility that was perfect for the material he was singing. That’s especially prevalent on the previously unavailable solo demos. It was quite a nice song, but it was a little bit too weak to make an impact. Keith Relf was actually William Keith Relf; no wonder we couldn't trace his lineage. He would more often than not be stoned, and it would be a big joke when you walked in – ‘hello hello hello.’ Like something from a fairground.”. In the original lineup, Keith Relf was lead singer and also played the harmonica; Tony (Top) Topham played lead guitar, Jim McCarty drums, Chris Deja rhythm guitar and vocals, and Paul Samwell Smith bass guitar. It reveals more of what he was like as a person, behind closed doors, working on his music alone or with a few trusted friends. He wasn’t done with far-out experimentation, either, as the closing “Sunbury Electronic Sequence” emphasizes. With this line-up, The Yardbirds had most of their hits - several of which got into the Top Ten both in UK and USA. This pair formed the aptly named "Together" - a folk duo. ‘Collector of Light’ is an extraordinary piece of music with what sounds like a detuned guitar being plucked as he sings along in a very abstract way.

Because he had a problem with his wife, and he was looking after his two boys. A few items are nothing more than sketches or lyric-less scats, but still attractive for their otherworldliness, especially “Roundalay,” which unwinds in jazzy circles as Relf hum-sings the kind of unpredictable minor-keyed melodies he favors. Can you add to our knowledge? In the end there were about 30 CD-Rs to go through. He wasn’t just messing around.” – Jim McCarty. His sister, Jane Relf, continued to sing with Renaissance after Keith left. Keith's father, William Arthur P Relf, died in 1984 and was registered during June of that year in the Hounslow area; I can find no death for his mother in my records and so it may be that she is still alive. BETTYE LAVETTE HAS HER OWN HELL TO RAISE! POP, NOT THE SAME AFTER THAT: ROCK & ROLL ACID CASUALTIES, WEEGEE: NEW YORK'S FIRST PUNK PHOTOGRAPHER. Keith Relf was born 22 March 1943, Richmond, Surrey and was, tragically, fatally electrocuted 14 May 1976. People wondered what on earth we were playing. When he died, we didn’t have that same sort of relationship. My mother used to work in the local police station; she was on the switchboard. Well, it was at least a "Keith" Relf that made Encyclopaedia Britanica.


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