The 1986 Watson-Jones book's entry on Jane Frank, available at the "Questia" link given below, states her address as "1300 Woods Hole Road, Towson, Maryland 21204". The book (out of print but still in many public and university art libraries) also contains a wealth of biographical information and many large plate reproductions of the artist's works, some in color.
18–20), Dreikausen, Margret, "Aerial Perception: The Earth as Seen from Aircraft and Spacecraft and Its Influence on Contemporary Art" page 63, Dreikausen, Margret, "Aerial Perception: The Earth as Seen from Aircraft and Spacecraft and Its Influence on Contemporary Art" page 27, Learn how and when to remove these template messages, personal reflection, personal essay, or argumentative essay, Learn how and when to remove this template message, "Dictionnaire critique et documentaire des peintres, sculpteurs, desinateurs, et graveurs de tous les temps et tous les pays", "A Decade of Sculpture: the New Media in the 1960s", "Women Artists in the United States: a Selective Bibliography and Resource Guide on the Fine and Decorative Arts", Biographical encyclopedia of American painters, sculptors & engravers of the U.S. : Colonial to 2002, "Davenport's Art Reference and Price Guide, Gold Edition", "Aerial Perception: The Earth as Seen from Aircraft and Spacecraft and Its Influence on Contemporary Art", "The Artists Bluebook: 34,000 North American Artists to March 2005", "Allgemeines Kunstlerlexikon: Die Bildenen Kuntsler aller Zeiten und Volker", "Mantle Fielding's Dictionary of American Painters, Sculptors, and Engravers", "The Further Adventures of Till Eulenspiegel", "Jane Frank, Three-Dimensional Painter, dies at 67", "Obituary: Phoebe Stanton, 88, Outspoken Guardian of City's Architecture", Smithsonian American Art Museum: Jane Frank, Access to Smithsonian Institution artist file folder on Jane Frank, Maryland Institute College of Art, Decker Library, vertical file listings, French art criticism archive page (at www.archivcriticart.org), https://en.wikipedia.org/w/index.php?title=Jane_Frank&oldid=982764931, Short description is different from Wikidata, Wikipedia articles with style issues from November 2008, Articles lacking in-text citations from May 2013, Articles with multiple maintenance issues, Articles with unsourced statements from May 2013, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License. Her works are in many other public, academic, corporate, and private collections.
In a letter to Thomas Yoseloff, she wrote (quoted in Yoseloff's Retrospective, 1975, p. 34) that "prior to 1940 my background had been entirely in commercial art" and that when she began painting seriously, she had to "put behind me everything I had so carefully learned in the schools". This page was last edited on 10 October 2020, at 06:07. After marrying, she signed her works consistently as "Jane Frank", apparently never including a maiden name or middle initial. "[This quote needs a citation], These pieces of the late 1950s and 1960s never lapse into the complaisantly decorative: there is a certain deliberate instability, often even violence, that prevents that. Grace and Frankie es una comedia televisiva estadounidense original de Netflix estrenada el 8 de mayo de 2015. Jane Frank's paintings and mixed media works on canvas are in the collections of the Corcoran Gallery of Art ("Amber Ambience", 1964), the Smithsonian American Art Museum, the Baltimore Museum of Art ("Winter's End", 1958), the Herbert F. Johnson Museum of Art at Cornell University ("Red Painting", 1966), the Arkansas Arts Center in Little Rock ("Web Of Rock", 1960), and the Evansville Museum ("Quarry III", 1963). Famke Beumer Janssen nació el 5 de noviembre de 1964 en Amstelveen, Países Bajos. Join Facebook to connect with Jane Franke and others you may know. Soon after the month-long Corcoran Gallery solo exhibition, Jane Frank began to apply not just spackle but a variety of other materials - sea-weathered or broken glass, charred driftwood, pebbles, what appears to be crushed graphite or silica, and even glued-on patches of separately painted and encrusted canvas (canvas collage) - to her jagged, abstract expressionist paintings. In much of her output before the late 1960s, Frank seems less interested in color than in tonality and texture, often employing the grayscale to create a sense of depth or of motion from light to dark, this frequently moving in a diagonal (as in "Winter's End", 1958), and otherwise employing one basic hue (as with the earthy reds in "Plum Point", 1964). She studied with Hans Hofmann and Norman Carlberg and is known as a painter, sculptor, mixed media artist, and textile artist. With the initial demands of a new marriage and family presumably beginning to relax a bit, Jane Frank returned seriously to painting in 1947 (according to Stanton, p. 9). Of the paintings in the 1962 Corcoran Gallery show, she tells Phoebe Stanton: "I was trying to pit mass against void and make it look as though there were passages that went way back - that's why 'crevice' is in so many of the titles" (Stanton, p. 15). The result is not a unique image for the sake of 'newness', but rather for the sake of the artist, who must be concerned with it daily. Towson is another near suburb of Baltimore. These creations are a type of "shaped canvas", though obviously very different from the shaped canvases of Frank Stella and others more commonly associated with this term. Together they have over 50 years of experience working with children, young people and their families. Chronologically and stylistically, Jane Frank's work straddles both the modern and the contemporary (even postmodern) periods. [19] The day scenes show a fascination with the play of actual shadows and false, painted ones, "inviting the viewer more closely to inspect the textures on the canvas and its 'reality' ". [citation needed] She can be categorized stylistically as an abstract expressionist,[citation needed] but one who draws primary inspiration from the natural world, particularly landscape — landscape "as metaphor", she once explained. Ella conservó el apellido de su madre, «Janssen»; sin embargo, sus hermanas han conservado el apellido de su padre, «Beumer». Perhaps this style could be called "geomorphic abstraction" - though apparently no such term can be found as a stylistic category in art history books. However, it is rock and mineral substances, their veins and surfaces, projections and infinite hollows, which spark my particular fantasy - also beach wood, well worn with time, that is to be found on the water's edge. [12]. From the sources, it is unclear whether she worked in these fields while still in New York, or only after returning to Baltimore. 1 La serie fue creada por Marta Kauffman y Howard J. Morris y está protagonizada por Jane Fonda y Lily Tomlin. After marrying, she signed her works consistently as "Jane Frank", apparently never including a maiden name or middle initial. Monika is a Provisional Psychologist who has recently joined our practice at Lighthouse Health and Education where she will complete her psychologist registration internship program. We do know, however, that she began painting seriously in 1940. After returning to Baltimore, she married Herman Benjamin Frank in 1941. Jane Frank died on Saturday, May 31, 1986. Also, the canvases of the 1960s, for all their landscape-like qualities, usually avoid anything that can be read as a horizon or a sky: we literally don't know which way is up; for as Stanton (p. 12) points out, Jane Frank - starting with "Winter's End" (1958) - avoids horizontal orientation in favor of strong diagonals.
Chronologically and stylistically, Jane Frank's work straddles both the modern and the contemporary (even postmodern) periods. Certain features of structure and color render a literal interpretation of this image as an aerial landscape difficult or even impossible.
Stating that Frank's sculptures are "environmental", Busch goes on to define this term in a way that points to their "beyond-human" quality: "Environmental sculpture is never made to work at exactly human scale, but is sufficiently larger or smaller than scale to avoid confusion with the human image in the eyes of the viewer." ("Her paintings, though abstract, nevertheless make reference to aerial landscapes, as viewed from an airplane."). El 26 de mayo de 2015, Netflix renovó la serie para una segunda temporada.
Yoseloff, in his 1975 "Retrospective" book, enthuses: "Perhaps the ultimate achievement in the direction in which Mrs. Frank has been tending is her series of "night landings".... Now, more than ever, the viewer is deeply involved, and he can feel himself carried downward into the landscape that is the canvas before him" [17], A staunch modernist might scoff that with the "Night Landings" of 1970 Jane Frank's art begins to "go gentle into that good night" (perhaps even lapsing into "postmodernism"). Lighthouse Health and Education was founded by husband and wife team Wayne and Jane Franke in response to the need for further psychological and educational services in the Coffs Harbour region. The attempt at interpretation is both invited and repulsed. I give my welding and aluminum pieces to a machinist with whom I work quite closely". Jane Frank (when she was still Jane Schenthal) attended the progressive Park School and received her initial artistic training at the Maryland Institute of Arts and Sciences (now known as MICA, the Maryland Institute College of Art), earning in 1935 a diploma in commercial art and fashion illustration [Watson-Jones]. [14], Summing up the ambiguous position of Jane Frank's work on canvas with respect to both landscape art and pure abstraction, a reviewer for The Art Gallery magazine wrote of her 1971 solo show at London's Alwin Gallery: "Her richly textured canvases evoke a world of crags and forests, rivers and plains, in terms which are entirely non-representational."[15]. Her schooling complete, she began working in advertising design and acting in summer stock theater. "I was also much concerned with texture, and heavy paint", she adds (p. 35). In the following decade, while raising a family and rapidly developing as a serious painter, the young mother also illustrated three children's books.