Avoid plotholes while writing more stories. Meanwhile, the rest of the crew is stopped by a military blockade and all except Antón leave Sebastián to journey home. The most well known case of Savant Syndrome is the fictional character; however, Raymond Babbitt, played by Dustin Hoffman in the 1988 movie Rain Man, was inspired by a real person. The film was selected in September 2010 over Daniel Monzón's Cell 211 which also stars Luis Tosar, as the Spanish entry for the Best Foreign Language Film category at the 83rd Academy Awards. Sebastian ends up casting him in an important role, and he discovers that in real life, Daniel is a leader in a local revolt against the privatization of the local water resources. The performance by Luis Tosar as the producer is confident and sturdy. The next day, as the cast and crew prepare to depart for filming, Costa is met by Daniel's wife, Teresa, who desperately implores him to assist her in finding her daughter Belén, who has disappeared into the protests and is reportedly wounded and needing hospitalization. This is more clear to us than the characters, including Gael Garcia Bernal as Sebastian, the director, who has vague sympathies for his low-paid workers but places his film above everything. The film will exploit the Indians just as Columbus did. The film received nominations and won awards internationally, including an Ariel Award for Best Ibero-American Film and three Goya Awards, one of which was Best Original Score for the work of Alberto Iglesias. [4] On release the movie was given a 10/10 by Rotten Tomatoes. Daniel agrees, accepting the money, but spends it on funding the protesters and remains involved, eventually becoming bloodied and imprisoned. The productivity tool for storytellers. Release date: February 18, 2011 Daniel is one of the activists protesting price gouging for something as essential as water -- will Sebastián and his colleagues join him in speaking out against this injustice? The difference is that Columbus evoked Christianity as his excuse, while the modern film thinks it is denouncing him while committing the same sins. © 2020 Narrative First. Costa is obsessed with saving money, Sebastian thinks of himself as more humanitarian, but it is Costa who is eventually humanized by the plight of the workers. Daniel pretends to acquiesce to Costa's insistence that he stop protesting, but actually continues protesting and sustains facial wounds in a clash with police. As Sebastián and Costa work Teresa's persistence wins over Costa's conscience, and despite Sebastián's equally impassioned insistence against it, he leaves with her. Main Character Costa (Luis Tosar), navigates the challenges of producing a Christopher Columbus biopic in the midst of a Bolivian revolution. Sebastián and Costa unexpectedly land themselves in a moral crisis when they and their crew arrive at Cochabamba, Bolivia, during the intensifying Cochabamba Water War in 2000, which their key native actor Daniel (Juan Carlos Aduviri) persistently leads. Synopsis Message "Even the Rain (También la Lluvia)" is a Spanish drama film released in 2010 about a film crew who travels to Cochabamba, Bolivia, and unexpectedly finds themselves in the midst of the Bolivian water crisis of 2000. Film Analysis by Ian Hyslop. [14], Film's historical context—Bolivian water crisis, CS1 maint: multiple names: authors list (, Academy Award for Best Foreign Language Film, List of submissions to the 83rd Academy Awards for Best Foreign Language Film, List of Spanish submissions for the Academy Award for Best Foreign Language Film, "Panorama 2011 with Renowned Directors, Three Films on India and Many New Discoveries", "Bollaín's Even the Rain joins Oscar race", "9 Foreign Language Films Continue to Oscar Race", "Bolivia's War Over Water | The Democracy Center", "FRONTLINE/WORLD . This all important role of challenging Costa to reexamine his personal paradigms is handed off from time to time to director Sebastian (Gael Garcia Bernal), but Hatuey maintains the lion's share. "[9] Contrarily, Marshall Fine of the Huffington Post views Tosar's efforts as praiseworthy, calling him "perfect as the producer: bull-headed, charming, conniving and wheedling when he needs to be – but a man with a vision, who ultimately gets his mind changed. The main characters of Even the Rain, director Sebastián and executive producer Costa, find the production of their film put into question with the abrupt intrusion of anti-government protests in Cochabamba in 2000 following the sale of Bolivia’s water rights to a private multinational consortium. [2] It was screened in the Main Programme of the Panorama section at the 61st Berlin International Film Festival and additionally during the 2011 Sydney Film Festival. The film received generally positive reviews, earning an 88% approval rating on Rotten Tomatoes, but some critics pointed out potential hypocrisy as a shortcoming. He grows fond of Daniel's sweet little daughter, and when local forces are brought in to subdue the demonstrations, the girl is injured, and Costa suddenly sees things in a different light. The personal dynamics of a movie location can be tricky. Upon this scene's completion, police arrive in the Bolivian jungle and detain Daniel again, but are besieged by the film's extras which allows Daniel to escape. Sebastian is unaware that Daniel is leading demonstrations against the historically real event of water privatization that the Bolivian government has agreed to. Log in. "[10] Praising the film overall, Ann Hornaday of the Washington Post calls Even the Rain "a story in which personal connections can transcend even the most crushing structures of history and politics. "[9] Also, Holden addresses Costa's transformation, writing, "Mr. Tosar goes as far as he can to make the character’s change of heart believable, but he can’t accomplish the impossible. As the film opens, a cast and crew have arrived on location in the mountains of Bolivia, far from the Caribbean shores first founded by Columbus. A fantastic example of the greater meaning a functioning narrative brings to a film. Nooo!” I wrote). In April 2000, the national government reached an agreement with the Coordinadora to reverse the privatization. [7] Roger Ebert admires the filmmakers’ courage in choosing the Bolivian water crisis as subject matter, but notes potential hypocrisy, writing, "…at the end I looked in vain for a credit saying, ‘No extras were underpaid in the making of this film.’"[8] New York Times writer Stephen Holden also raises this concern, asserting, "You can’t help but wonder to what degree its makers exploited the extras recruited to play 16th-century Indians. [6] However, it was not selected to be among the final five films nominated for the Oscar. Mexican filmmaker Sebastián (Gael García Bernal) and his Spanish executive producer Costa (Luis Tosar) arrive in Cochabamba, Bolivia, accompanied by a cast and crew, prepared to create a historical film depicting Christopher Columbus's first voyage to the New World, the imposition of Columbus’ will upon the natives, and the subsequent indigenous rebellion by Hatuey.

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