Karen thought it was hilarious, and had the T-shirt made the following year to wear for a special drum bit during the middle of their show in which she soloed, marching-band style, on a snare. She hired a personal trainer, who advised her … I have wonderful Memories.She was a great cook too❤ My prayers are with all the family. After the services friend Herb Albert, led the pallbearers to Karen's marble crypt. Even though my body had slackened while I was sweating it out in the tropical density of that miserable waiting room, cooled only intermittently by a half-cocked electric fan, my spine went stiff as soon as my eyes grazed that headline. Under a doctor's guidance, she began the Stillman diet, eating lean foods, drinking eight glasses of water a day, and avoiding fatty foods. This repository is populated with tens of thousands of assets and should be your first stop for asset selection. Karen Carpenter funeral 2 My own mother’s voice was often compared to Karen Carpenter’s, when both of them were in their prime, so Karen was like family — but more of a distant relative whose resemblance felt significant even if it was only circumstantial, and whose global accomplishments were touted as an aspiration for my musical clan: Karen Carpenter, superstar. Karen Carpenter is a solo CD released by A&M Records in 1996. Comfortable. Karen Carpenter’s dispassionately passionate vocals multiply not only across the harmonies in her own recordings but also through countless Filipino voices, making sense of both Manila and the Southern California suburbs that became my eventual home. When I am back in Manila and my ears are filled with what I’ve come to understand as my immigrant love songs, written and performed by American pop stars like the Carpenters, this obfuscation of origins scrambles my relationship to space and source. I didn't realize my affinity for the Carpenters was what they used to call "corny" until I landed in the same Southern California suburbs a decade after the Carpenters' heyday. On the other side of the Pacific, a mere stone’s throw from the land of Shogun and newfangled devices like sing-along karaoke machines, I learned about Karen Carpenter’s death in the waiting room of a dubious travel agency in Little Ongpin, Manila’s old Chinatown district. Gusmo and her family continued to earn their living through busking, even as her fame and the number of YouTube views of her marketplace performances grew exponentially. Siawingco’s grainy video shows Gusmo singing “You” with an uncanny, Karen-esque timbre and tone, while sitting in a plastic chair, rocking a toddler with one hand and holding her mic in the other. © 2020 Getty Images. Also performing with Richard during his visit to the capital was Claire de la Fuente, one of several artists since the 1970s who share the distinction of being dubbed by the press (and, in this case, de la Fuente's own publicists) “the Karen Carpenter of the Philippines.” De la Fuente earned this title, as her Wikipedia page explains, because “her voice has a striking resemblance to that of the late singer.”. Their album Now & Then, from 1973, the same year my teen parents (who met performing in a Manila concert production of Jesus Christ Superstar) christened me “Karen,” has been clocked by music critic Tom Smucker as “one of the greatest pop music explorations of whiteness in the last half century.”, The Carpenters’ westward migration from Connecticut to Downey, California, a white, working-class suburb conveniently situated between Orange County and Los Angeles, would seem to affirm this narrow trajectory toward “whiteness and promises,” to invoke a Filipino karaoke machine that misinterpreted the line about “white lace and promises” in “We’ve Only Just Begun.” Both the original lyric and the error are essentially referring to the same thing: an American suburban fantasy of the good life, with a good wife, “sharing horizons that are new to us,” but not foreign or strange in the grander scheme of things. After listening to Karen Carpenter again, and to the many women who have held the title “the Karen Carpenter of the Philippines,” I begin to hear my mother’s voice anew. I will miss seeing Karen at Red Lobster and talking to her.My Thoughts and Prayers are with Her Family and Friends.Another Great Person gone too soon.With Love, Carolyn Duncan and Family, March 02, 2020 | Chillicothe, OH | Friend. Karen Carpenter Dies at 32 screamed the newsprint just above the fold of a Filipino newspaper discarded on the cracked, moist Naugahyde bench next to me. To be corny is to be “mawkishly old-fashioned: tiresomely simple and sentimental,” and this definition describes my attachment to the Carpenters with searing precision. Friends may call at the Garrett-Cardaras Funeral Home, 201 W. High St., McArthur, on Sunday, March 1, 2020, from 6-8 p.m. She always treated me like a daughter. Funeral Home Services for Karen are being provided by Garrett-Cardaras Funeral Home. Like scores of other Filipinos who gained transnational fame on YouTube — from the Cebu Provincial Rehabilitation and Detention Center inmates who reenacted the Michael Jackson oeuvre to Arnel Pineda, the lead singer for Journey, whom Neal Schon found online after several failed efforts at finding another post-Perry singer for the band — Gusmo, too, was “discovered” on the platform, though her story makes apparent some of the true limits of this road to fame. "Corny" is a word that retains its saliency in its everyday use in the Philippines, even though its usage has diminished in the American vernacular. They were making arrangements for our departure from the Philippines, where I was born, to the dry heat of Southern California, where my white stepfather grew up, just 50 miles east of Downey, in a region called the Inland Empire: a place with its own aerospace and defense plants nestled between the citrus groves and stucco, like the one Agnes Carpenter, Karen’s mom, worked in for many years. After playing regularly as the Richard or Dick Carpenter trio in such Hedwigian venues as the Jolly Knight steakhouse in Garden Grove, with Karen on drums and occasionally singing vocals, both Karen and Richard inevitably found themselves more immersed in the musical curriculum on campus, where they joined the university choir directed by Frank Pooler. Het ontwerp van Getty Images is een handelsmerk van Getty Images. At 9 going on 10, I was just growing into my fear of mortality, which was aggravated by the fact that we were about to take another epic, transpacific journey on a jet packed with people chain-smoking duty-free Dunhills. Even before she died, in 1983, she fulfilled something of a spiritual role in our home in Manila, like the friendly ghosts our neighborhood curandera claimed to have found living in our duhat tree, and with whom my grandmother, Linda Katindig, tried to negotiate one evening after several hours of mah-jongg and too many bottles of San Miguel beer. Clipping found in The Los Angeles Times in Los Angeles, California on Feb 9, 1983. A girl who left this world too soon, but who was destined to live forever. Everyone thought she was on the mend, the very picture of SoCal suburbanity in repose, eating tacos and watching the tube all night, before what was supposed to be another sunshiny day in an endless season — nay, a lifetime — of sunniness. And as a brown butch lesbian named Karen who worked through a whole hell of a lot of gender trouble in the quasi-militarized structure of marching band, with captains for every section (drums, color guard, and the horn line, of which I was the captain), I could identify with both sides of the slash.

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