It doesn't spread out like light coming from a light bulb. CINEMA 4D is a popular 3D modeling and animation tool from Maxon ( www.maxon.net ). So, that's what we're going to do in this tutorial. To change a layer from 2D to 3D space, in the timeline enable the 3D Layer switch to the right of the layer. Experiment with light settings such as, With one or more 3D layers selected, press the A key quickly twice (AA) to open Material options for the selected layers. Sample files to practice with (ZIP, 33 MB), Southeast Asia (Includes Indonesia, Malaysia, Philippines, Singapore, Thailand, and Vietnam) - English, الشرق الأوسط وشمال أفريقيا - اللغة العربية. And within the Composition settings is an area where you can specify a renderer. Let's convert this so we can extrude true 3D data. Now I just press Ctrl + Z on Windows or Command + Z on the Mac to undo and press V on my keyboard to grab the Selection tool. Go back to the Project panel and double-click on the 02_Naturalists - Classic 3D Composition. This should look pretty familiar because it's a bunch of Illustrator layers on top of an (Orange Solid 1). And that's something you should just be aware of when you're animating objects in 3D space but when it comes to flying cameras through a 3D scene you have two choices a One-Node Camera or a Two-Node Camera. Don't worry if you're not familiar with these terms, it's easy enough to figure it out once you start scrubbing with the different parameters. With Smooth selected the Radius of 500 means the light at 100% Intensity is going to go out 500 pixels and then it's going to start falling off in intensity for another 500 pixels until it gets to an intensity of 0. Click on the drop-down and choose CINEMA 4D. That will give me a Shape layer and while we're at it let's do the same for Layer 3. When you use the Vanishing Point feature in Photoshop Extended, you can then use the File > Export For After Effects (.vpe) command to save the results as a collection of PNG files—one for each plane—and a .vpe file that describes the geometry of the scene.You can then import the .vpe file into After Effects. Press P to open up the Light settings and scrub on the Z axis to move the light either further away or closer to the geometry. Now your Light Settings might be different than mine, that's perfectly fine. Enable the. So, here I'll click on this handle and I'll just drag it out a little bit and I can do the same thing on this left handle. Notice, once we've actually set two positions with the camera the motion path has handles. And it really doesn't. If it does exist in 3D space can it have 3D depth? If we look in the Timeline go to Layer 4 and you can see we have a Shape layer and this Shape layer was created by converting this Illustrator layer. The same goes for the X axis and the Z axis. Enhance your compositions with adjustable 3D models that you can customize with materials and lighting and place in your scene to get the perspective just right. It's kind of hard to see but there are control handles here. To try and soften up the edges of this light let's click on the Cone Angle and scrub and see if that makes much of a difference. Things like the shininess of a layer or can a layer even have shininess? So, there are a lot more settings you could go through within the Material Options of a CINEMA 4D layer but you understand the basics of creating 3D geometry in CINEMA 4D. So, if you would like to orbit around something like we just did in our scene make sure you use the Two-Node Camera. Within every After Effects project, you have Compositions. Go to the Timeline and select Layer 1 and if you look on the right side in the Switches panel you'll notice 3D has been enabled. Okay. Differences between 3D options with the Classic 3D and Cinema 4D renderers: Enable 3D on a layer to position 2D layers in 3D space. The Cinema 4D renderer must be used to create geometry with 3D depth. Now hold down Shift on your keyboard and click and drag on the X until we get way far over to the side, something like this. I'll press Ctrl + Z on Windows or Command + Z on the Mac to undo. Now I've already set up some compositions with the different renderers, so you can get a general idea as to how the objects would appear within those renderers. Press the Period key on your keyboard to zoom in not once but twice until you get to 200%. Once you've enabled 3D on a layer it's always wise to look in the upper right corner of the Composition panel. It's more of an even directional light similar to light from the sun. To create a shape layer from one or more Illustrator layers that contain text or objects, select the Illustrator layers in the timeline and choose, To set render options for the Cinema 4D renderer, click the wrench icon at the top right of the Composition panel.

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